Posts Tagged ‘Art’

Megawords X Temple Urban Archives Screening at the Philadelphia Museum of Art

Tuesday, January 24th, 2012

Temple University Libraries’ Urban Archives and Megawords Magazine are partnering for a screening as part of the Zoe Strauss: Ten Years exhibition at the Philadelphia Museum of Art. All films are drawn from our television news collection and are loosely inspired by the work of Zoe Strauss, Megawords and the PMA itself. All footage where the gaze of the news camera puts you in touch with the rituals, traditions, places and challenges of Philadelphia and its residents over three decades. Some material has screened at previous UA screenings and some is new.

Advance tickets are free (but with a $3.50 service charge) here:

http://bit.ly/yS1RTH

You could also come to the PMA earlier to reserve a seat with no charge.

For more info and a full listing, read more.

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Megawords at the Pennsylvania Academy of Fine Arts

Wednesday, October 26th, 2011

Please stop by PAFA and check out our new installation as part of the current show entitled Here. Our installation features collage and video work, and you’ll also be able to grab a copy of the latest issue of Megawords.

See more photos on our project page. Find out more about the show at the Pennsylvania Academy of Fine Art’s website.

Megawords installation in New York City

Monday, September 5th, 2011

We’re putting together an installation for a Creative Time Project called Living as Form (more info at http://creativetime.org/programs/archive/2011/livingasform/about.htm). The show opens on September 24th at the Historic Essex Street Market in Manhattan, and it runs for 4 weeks. We’re creating a teen-aged warehouse hangout, and will be hosting events by KillScreen Magazine and the Copenhagen Game Collective, music by  “The Brutalist School” AKA Hsi-Chang Lin, more music by Georgia and a participatory dance performance organized by Joanna Quigley of Free Movement Specialists, INC.

A new issue of Megawords will also be available!

September 24–October 16

Thursday–Sunday, 12–8 PM
The historic Essex Street Market
Southeast corner of Essex and Delancey Streets 
(entrance on Delancey)
New York City
See a Google map here.

Here are some details about Megawords specific events (subject to change, so please check back for updates!)
September 24, Saturday
8pm
Show opens and live music performance by “The Brutalist School” AKA Hsi-Chang Lin

September 30, Friday
Two sessions
4:30 and 6:30pm
Kill Screen presents Copenhagen Game Collective’s Johan Sebastian Joust

October 8 , Saturday
6-8pm
Music by Justin Tripp and Brian Close of Georgia. Food by Megawords

October 14, Friday and October 15, Saturday
Three 20 minute performances each day
2pm, 4pm and 6pm
Free Movement Specialists, INC. is happy to guide you on a journey to being free. Free of all technique, all preexisting dance crazes and all worries of what you really look like when dancing in public. THIS is a judgement free zone.

Megawords talk at PAFA

Tuesday, November 9th, 2010

NOVEMBER 17 @ PAFA – FOR YOUR PLEASURE

We’re giving a talk as part of the Pennsylvania Academy of Fine Arts Art at Lunch lecture series. Join us for a discussion of the importance of independent viewpoints and collaborations when making art. Delve into the Megawords project history and the stories of our own creative processes, alternative means of communication and dissemination of ideas.

Please join us!
Wendesday, November 17, 2010
Noon to 1pm
Pennsylvania Academy of Fine Arts
118 North Broad Street
Directions here:
www.pafa.org

This coming Saturday in Berlin – Making Space Taking Place

Sunday, October 10th, 2010

www.artitu.de

Zwei Künstlerduos aus Skandinavien und Berlin bestreiten im Oktober das vorläufige Finale der Ausstellungsreihe „Super Reactive Subjects“ im Senatsreservenspeicher. Präsentiert werden zwei Projekte aus Kopenhagen und Istanbul, die – im öffentlichen Raum entstanden – zum ersten Mal als Installationen ausgestellt werden. Als Grenzgänger, nicht nur innerhalb der Stadt, sondern auch in einer beschleunigten und globalisierten Metropolengesellschaft, untersuchen die Künstler städtische und künstlerische Freiräume, materielle und gedankliche Rückzugsorte. Diese gleichen vorübergehenden Schutzräumen oder selbst erschaffenen Inseln, die ihr urbanes Umfeld hinterfragen.

Eröffnung: Sa, 16. Oktober, 19:00

Ausstellungsdauer: 17. Oktober – 6. November

Do – So, 14.00 – 20.00 und nach Vereinbarung.

Eintritt frei

Now Reading – Design as Art by Bruno Munari

Tuesday, June 1st, 2010

“A designer is a planner with an aesthetic sense. “

Franz Gertsch

Thursday, March 11th, 2010

This is a painting.

An Interview with William Pym

Thursday, February 18th, 2010

Interview by ANTHONY SMYRSKI and DAN MURPHY

How did you end up where you are now, what was the trajectory?
Will: A month before I finished college—2006—I had a show at Harvard University. When I was doing my thesis show for painting, I had a gallery show in New York at Rivington Arms. I thought I was going to be in New York or Boston. I thought I had a handle on it. I thought I was going to find a way to live and work and party and stay fabulous. I went home after I graduated, came back and went to see my friends in Philly for one last time. At the pub we got so drunk, I just got done watching England in the World Cup with my best friend… I fell asleep on the couch with my neck over the edge. I woke up, and that drunk sweat just poured out of the back of my neck and soaked this couch. I watched Wild At Heart, the David Lynch film, I passed out in the middle of the afternoon, soaked this horrible, filthy couch—and I decided then, that it wasn’t going to work out for me in New York because I was obviously too much of a disaster. I clearly saw from that day, I didn’t have what it took to hack it on the Lower East Side and to make ends meet and make work and be seen five, six, seven days a week, and to keep up with the society pages—which was what I thought being “successful” was.

I thought it was the easiest thing in the world: Know people. Know people with influence. Know people with money. Know people who want to see you—I mean, it’s visibility and fabulousness, the society pages of W magazine and Vice magazine or Harper’s Bazaar. I was fascinated with the fact that I could look good, fresh gear, throw money around. But none of that stuff I have the ability to sustain.

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